Muzeum Institute

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Muzeum, zavod za umetniško produkcijo, posredovanje in založništvo
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Past events worldwide
  • 6 Jun 2019

    to

    16 Jun 2019

    Czech RepublicPragueIndustrial Palace and Prague Exhibition GroundsPrague Quadrennial of Performance Design and Space (PQ)

    Selected opus of 7 stage set and costume designers/art collectives (Angelina Atlagić, Uroš Belantič, Mateja Bučar & Vadim Fiškin, IRWIN, Leo Kulaš and NUMEN) presented within the installation Warped Space curated by Barbara Novakovič Kolenc (Muzeum Institute)

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  • 21 Nov 2017

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    22 Nov 2017

    SerbiaNovi SadKulturni Centar Lab Novi Sad, Museum of Contemporary Art Vojvodina (MSUV)

    Show me Heaven, a performance by Maja Kalafatić, Dimitrije Kokanov and Venelin Shurelov, produced by Muzeum Institute,

  • 18 Jun 2015

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    28 Jun 2015

    Czech RepublicPragueKafka's House and Bethlehem Chapel - Lapidarium
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    Talking House - Theory Open I - The Shirt of Saint Francis installation by Barbara Novakovič Kolenc at Museum of Modern Art, 2003
    Talking House - Theory Open I - The Shirt of Saint Francis installation by Barbara Novakovič Kolenc at Museum of Modern Art, 2003


    Founded in 1995, the Muzeum Institute is an independent organisation dedicated to art production, mediation, and publishing. It grew out of Muzeum Theatre (1993), a conceptual theatre company led by Barbara Novakovič Kolenc, and theatre production has remained at the heart of the institute ever since. Over the years, Muzeum has collaborated with practitioners from outside the theatre world – architects, dancers, lighting designers, art historians, and visual artists – each bringing a distinct perspective to bear on theatre language. It has also built up a substantial track record in visual art and multidisciplinary projects across Europe.




    Muzeum Institute's legacy

    The Institute's contribution to the "introduction of visual arts and contemporary dance into Slovenian performing arts in the 1990s" was acknowledged by the Slovenian Theatre Institute. In 2025, on the occasion of the NGO's 30th anniversary, it co-published a book entitled Theatre as a Museum, accompanied by the exhibition Arhiv furioso, covering Muzeum's production between 1994 and 2024.

    Time Folding - Muzeum Theatre - 20 Years, an exhibition curated by Barbara Novakovič Kolenc, opened extensive document and source archives of the Muzeum Institute. Jakopič Gallery, 2015
    Time Folding - Muzeum Theatre - 20 Years, an exhibition curated by Barbara Novakovič Kolenc, opened extensive document and source archives of the Muzeum Institute. Jakopič Gallery, 2015

    In December 2014, a documentary exhibition Time Folding – Muzeum Theatre – 20 Years was set up at the Jakopič Gallery in Ljubljana.

    ArhitekturaSanj-Knjiga

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    The Architecture of Dreams installations (2020) and the dance performance "Time of Tenderness" (2021) marked the 25 years of Muzeum Theatre.

    Čas nežnosti / Time of Tenderness

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    Theatre production

    Between 1993 and 2000

    Barbara Novakovič Kolenc conceived and directed five stage performances: Cricket in the Fist [Čriček v pesti], Lo Scrittore, Emilia [Emilija], The Girl and the Double Bass [Deklica in kontrabas], and Paracelsus & Frankenstein – each exploring an individual field of art: fine art, architecture, dance, music, and movement. The subsequent synthesis performance All Together Now [Vse najboljše] was staged at the Slovene National Theatre Opera and Ballet Ljubljana, featuring a cast of actors from an old people's home, and presented at the Manifesta 3 in Ljubljana (2000). That same year, Barbara Novakovič Kolenc directed Racine's Berenice in the framework of the Slovene National Theatre Drama Ljubljana repertory.

    Cricket in the Fist by Muzeum Theatre, staged at the VIBA Studio, St. Joseph's Church, 1994. "The image simbolizes theatrical and art historical iconography as a time machine travelling back into middle age, to the gesture of the written word." Performing: Barbara Novakovič and Ivan Peternelj
    Cricket in the Fist by Muzeum Theatre, staged at the VIBA Studio, St. Joseph's Church, 1994. "The image simbolizes theatrical and art historical iconography as a time machine travelling back into middle age, to the gesture of the written word." Performing: Barbara Novakovič and Ivan Peternelj

    Between 2000 and 2010

    Muzeum produced a series of performances under the title Project 1–5, investigating theatre language through the input of architects, dancers, theatre theoreticians, lighting designers, and art historians stepping into production roles for the first time (Matej Filipčič, Rok Oman, Primož Jesenko, Majda Gregorič Trost, Lela B. Njatin, Rok Vevar).

    Barabara Novakovič Kolenc's 2006 productions Molière and the Rodin II received excellent reviews. Rodin II, an installation with performance created in collaboration with Sonček – Cerebral Palsy Association of Slovenia, went on to be presented over several years at festivals and venues across Slovenia and abroad.

    In 2007–2009, the Winter's Uncle trilogy took shape: A Winter's Tale [Zimska pravljica], based on Shakespeare's play, was staged at Križanke, followed in 2008 by Uncle Vanya and the 12 bouquets [Striček Vanja in 12 šopkov], based on Chekhov.

    Lea Menard in Uncle Vanya and the 12 bouquets directed by Barbara Novakovič Kolenc. Produced by Muzeum Institute and staged at the Stara Elektrarna - Old Power Station and Casemate at Ljubljana Castle in 2008
    Lea Menard in Uncle Vanya and the 12 bouquets directed by Barbara Novakovič Kolenc. Produced by Muzeum Institute and staged at the Stara Elektrarna - Old Power Station and Casemate at Ljubljana Castle in 2008

    The performance The Repository WUST (Winter's Uncle and Summer Tale) [FUNDUS ZS PP (Zimski striček in Poletna pravljica)], created by B. Novakovič Kolenc and Sanja Nešković Peršin in 2009, featured artefacts from the City Museum of Ljubljana alongside selected contemporary visual artworks as set design (Zora Stančič, Polona Maher, Damijan Kracina, Katarina Toman Kracina, Nataša Skušek, Mladen Stropnik, Sašo Vrabič, Matic Sonnenwald, and Živa Žitnik). On tour, the artefacts were site specific – in 2010 the performance was presented at KiBela Art Space in Maribor and the Museum of Contemporary Art of Vojvodina in Novi Sad.

    The Repository WU ST produced by Muzeum Institute, Jakopič Gallery, 2009. A dance-theatre performance with the City Museum of Ljubljana artefacts and works by contemporary authors (e.g. Polona Maher in the centre of the picture)
    The Repository WU ST produced by Muzeum Institute, Jakopič Gallery, 2009. A dance-theatre performance with the City Museum of Ljubljana artefacts and works by contemporary authors (e.g. Polona Maher in the centre of the picture)

    In 2008, Barbara Novakovič Kolenc staged Daniil Harms's play Elisabeth Bam [Jelizaveta Bam] for the first time in Slovenia. The production was presented at Stara Elektrarna - Old Power Station, where in 2010 Sanja Nešković Peršin also staged a dance-theatre performance Julie, after A. Strindberg, with set design by son:DA; the production was also hosted by BITEF Theatre in Belgrade. Sanja Nešković Peršin's next performance, 33 Turns, was staged at Španski borci Culture Centre in 2011. Milan Tomašik's performance Off-Beat, co-produced by Muzeum, Phileas Productions, Brussels, and Dance Theatre Ljubljana, toured internationally.

    Daniil Harms' Jelizaveta Bam, directed and performed by Barbara Novakovič Kolenc. Produced by Muzeum Institute, Stara Elektrarna - Old Power Station, 2008
    Daniil Harms' Jelizaveta Bam, directed and performed by Barbara Novakovič Kolenc. Produced by Muzeum Institute, Stara Elektrarna - Old Power Station, 2008

    Between 2010 and 2020

    From 2010 Muzeum developed the ŠIFT TEATER I and the ŠIFT TEATER II platforms.

    The second part of the Source Image Trilogy, The Museum of Letters, staged at Cankarjev dom, explored the relationship between abstraction in theatre and the visual arts through selected letters written by painters of the 18th and 19th centuries.

    The third part of the trilogy, The Theatre of Letters, belonging to the ŠIFT TEATER II platform, was based on Pablo Picasso's text Desire Caught by the Tail and staged at the Jakopič Gallery in 2014.

    Pablo Picasso's Desire Caught by the Tail directed by Barbara Novakovič Kolenc, as the last part of her Source Image trilogy produced by Muzeum Institute, staged at the Jakopič Gallery, 2014. From left to right: Ivan Peternelj, Mateja Rebolj, Sanja Nešković Peršin
    Pablo Picasso's Desire Caught by the Tail directed by Barbara Novakovič Kolenc, as the last part of her Source Image trilogy produced by Muzeum Institute, staged at the Jakopič Gallery, 2014. From left to right: Ivan Peternelj, Mateja Rebolj, Sanja Nešković Peršin

    ABC oder Krieg, quasi una fantasia, directed by Barbara Novakovič Kolenc, premiered in 2015. Co-produced by Prešeren Theatre Kranj, Cankarjev dom, and Opera & Theatre Madlenianum, Belgrade, it toured to Belgrade, Montenegro, and Vršac. The new drama text, written by Ivo Svetina, is set in Vienna in the 1830s, when Jernej Kopitar, France Prešeren, and Matija Čop were embroiled in the battle known as the Alphabet War, in the presence of Vuk Karadžić and his daughter Mina.

    Ivo Svetina's play ABC oder KRIEG, quasi una fantasia directed by Barbara Novakovič Kolenc, set in the 1830s in Vienna, a meeting place of literary personalities France Prešeren, Matija Čop, Jernej Kopitar, Vuk Karadžić. Production: Muzeum Institute, Prešeren Theatre Kranj, Cankarjev dom, and Opera & Theatre Madlenianum, Belgrade, 2015. From left to right: Vesna Pernarčič, Borut Veselko, Peter Musevski, Ivan Bakjarev, Jure Ivanušič, Aleksandra Balmazović
    Ivo Svetina's play ABC oder KRIEG, quasi una fantasia directed by Barbara Novakovič Kolenc, set in the 1830s in Vienna, a meeting place of literary personalities France Prešeren, Matija Čop, Jernej Kopitar, Vuk Karadžić. Production: Muzeum Institute, Prešeren Theatre Kranj, Cankarjev dom, and Opera & Theatre Madlenianum, Belgrade, 2015. From left to right: Vesna Pernarčič, Borut Veselko, Peter Musevski, Ivan Bakjarev, Jure Ivanušič, Aleksandra Balmazović

    Ivo Svetina's The Birth of Venus premiered in November 2018 at the Kosovel Culture House Sežana, and in January 2019 at the Kino Šiška Centre for Urban Culture.

    Between 2016 and 2019, Muzeum produced a further series of dance and drama works: the Spinoza Project, the Dynamics of Space Trilogy, and Venus I/II.

    Goce Smilevski: SPINOZA

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    Between 2019 and 2021, the Sleep project took shape, encompassing the solo performance Forms, Landscapes, Creatures and The Slumberland (2020), a dance performance for children and adults inspired by Winsor McCay's comic strip Little Nemo in Slumberland.

    Dezela sanj / The Slumberland

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    Visual arts projects

    Several Muzeum productions have been staged in gallery spaces – among them Rodin (2004, directed by Boris Mihalj) at the Museum of Modern Art, The Repository WUST (2010), and Desire Caught by the Tail (2014, directed by Barbara Novakovič Kolenc) at the Jakopič Gallery.

    Muzeum also actively engages in visual arts projects. In 2002–2003 it presented the auteur fine art series Talking House - Theory Open I, II, III, conceived by Barbara Novakovič Kolenc: The Shirt of Saint Francis at the Museum of Modern Art, Saint Lazarus at the City Art Gallery Ljubljana, and Saint Teresa at Kapelica Gallery.

    International visual and performing arts projects

    Muzeum Theatre productions have been presented in Austria, the United Kingdom, the Czech Republic, Slovakia, Hungary, Mongolia, Croatia, Albania, Armenia, Serbia, Italy, Macedonia, Israel, and Montenegro. The Museum Institute is a member of the Informal European Theatre Meeting (IETM).

    Muzeum has also produced various international visual arts projects, notably Map to Paradise from Ljubljana (2000), a site-specific installation at Ljubljana Castle by Peter Greenaway, and the accompanying Peter Greenaway film retrospective.

    In June 2005, Muzeum hosted the Ljubljana events of the international project The Gesture in the Cultural Heritage of Europe. That autumn it participated in Continental Breakfast [Kontinentalni zajtrk], an international co-curatorial and multidisciplinary project. The Ljubljana component, entitled Memory (W)hole, comprised an international symposium, a site-specific exhibition, and art performances at Ljubljana Castle. New variants of the Memory (W)hole exhibition were subsequently presented at the Skopje Museum of Modern Art in Macedonia and at the Museum of Contemporary Arts in Banja Luka in Bosnia and Herzegovina.

    Come, my beloved and dine with me, installation by Alevtina Kakhidze at the Continental Breakfast in Ljubljana - Memory (W)hole exhibition, 2005
    Come, my beloved and dine with me, installation by Alevtina Kakhidze at the Continental Breakfast in Ljubljana - Memory (W)hole exhibition, 2005

    In 2007, an international exhibition entitled Paperwork was presented at the City Museum of Ljubljana.

    In 2010–2011, Muzeum was one of co-organisers of Focus on Art and Science in the Performing Arts: European contemporary production, a project supported by the EU Culture programme. In April and November 2010, residencies and presentations of international authors were organised in Ljubljana, while Miha Erman, the selected Slovenian artist for the Focus project, took part in a residency in Italy and presented his work at Fabbrica Europa Festival in Florence, Italy. In May 2011, Muta Imago and Masque Teatro presented their recent work to Ljubljana audience within Muzeum's ŠIFT TEATER II platform.

    Other international involvements

    Beyond theatre and visual arts, Muzeum Institute has initiated and been involved in a number of international cultural policy projects, among them Mobile Theatre Network and MTN Loops, 1999–2001.

    In 2015 and 2019, Barbara Novakovič Kolenc curated the Slovenian section of the Prague Quadrennial of Performance Design and Space chapter.

    Slovene contribution at the the 13th Prague Quadrennial of Performance Design and Space (PQ curated by Barbara Novakovič Kolenc in June 2015. A flyer cover image.
    Slovene contribution at the the 13th Prague Quadrennial of Performance Design and Space (PQ curated by Barbara Novakovič Kolenc in June 2015. A flyer cover image.
    A part of the Warped Space installation representing Slovenia at the Prague Quadrennial of Performance Design and Space 2019: a book triptych with projected images of selected set and costume designs by Angelina Atlagić, Uroš Belantič, Mateja Bučar & Vadim Fiškin, Leo Kulaš and NUMEN. Curated by Barbara Novakovič and produced by Muzeum Institute.
    A part of the Warped Space installation representing Slovenia at the Prague Quadrennial of Performance Design and Space 2019: a book triptych with projected images of selected set and costume designs by Angelina Atlagić, Uroš Belantič, Mateja Bučar & Vadim Fiškin, Leo Kulaš and NUMEN. Curated by Barbara Novakovič and produced by Muzeum Institute.

    ECLAP

    Muzeum was also a partner in ECLAP (European Collected Library of Artistic Performance), a three-year project that brought together 20 leading national performing arts institutions, universities, and research institutes from 13 European countries to create a previously missing online archive for the performing arts in Europe. Linked to Europeana, the European Digital Library, the project was co-funded by the European Union ICT Policy Support Programme.

    Muzeum publishing

    Since 2000, Muzeum has published the Muzeum Newsletter. Other publications include Mobile Theatre Network Calendar 1999, Mobile Theatre Network – Strategies for Establishing Distribution Networks for Independent Performing Arts in Central and Eastern Europe (proceedings of a 1999 symposium), Peter Greenaway's Book (a collection of theoretical texts by Slovenian authors on the work of Peter Greenaway), Peter Greenaway: Map to Paradise from Ljubljana (event documentation), and the exhibition catalogues Memory (W)hole - Continental Breakfast Ljubljana and Paperwork.

    See also

    External links

    Gallery

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